Moonlight Gardener

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MOONLIGHT GARDENER ROBERT L. FISH

Copyright Moonlight Gardener Copyright © 1971 by Robert L. Fish Cover art and eForeword to the electronic edition copyright © 2002 by RosettaBooks, LLC All rights reserved. No part of this book may be used or reproduced in any manner whatsoever without written permission except in the case of brief quotations embodied in critical articles and reviews. For information address [email protected] First electronic edition published 2002 by RosettaBooks LLC, New York. ISBN 0-7953-0782-9

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Contents eForeword Moonlight Gardener About the Author About this Title

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eForeword What is Charley Crompton hiding? The police in a small town aren’t sure, but when he is reported digging in his garden in the middle of the night soon after his wife disappears, it seems like something is up. This is the intriguing premise for Robert L. Fish’s enigmatic, Edgar-award-winning short story “Moonlight Gardener.” When we meet him, Charley seems both crazy and evasive. Why does he answer the door holding a bloodstained hatchet? And do we believe him when he claims that he was only digging up his peach trees “to let the roots breathe”? The police investigation is both an inquiry into Mrs. Crompton’s disappearance and a look behind closed doors into the private life of the main suspect and his missing wife. Is Charley acting so strange because he is guilty, or did the severe and judgmental Mrs. Crompton decide she finally had enough of her strange husband? Or is something even stranger going on? Police investigations routinely work by paying close attention to the norms of life, and finding cause for suspicion when those norms are violated. But what happens when a criminal inquiry meets genuine eccentricity? Do the police have sufficient imaginative resources to untangle the mystery of the moonlight gardener? RosettaBooks is the leading publisher dedicated exclusively to electronic editions of great works of fiction and non-fiction that reflect our world. RosettaBooks is a committed e-publisher, maximizing the resources of the Web in opening a fresh dimension in the reading experience. In this electronic reading environment, each RosettaBook will enhance the experience through The RosettaBooks Connection. This gateway instantly delivers to the reader the opportunity to learn more about the title, the author, the

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Moonlight Gardener “And the fights! Oh, the fights! Ah, the fights!” Mrs. Williams said piously, leaning forward, her ungainly flowered hat almost toppling, her small china-blue eyes intent upon the young sergeant’s unrevealing face. “Awful! Awful!” She paused significantly. “Especially the terrible one they had the night before last— Wednesday, it was,” she said, and paused again, almost breathlessly. “The night she disappeared,” she added meaningfully. “Disappeared.” The sergeant started to write the word down on his lined pad and then stopped halfway to end it in a wiggly squiggle, culminated in an almost vicious dot. He wished, not for the first time, that he had chosen a different line of endeavor for his life’s work; he had a strong feeling he knew what was coming. “Disappeared. That’s what I said,” Mrs. Williams said sharply. “She hasn’t been seen since—and that’s disappearance, isn’t it?” The edge of poorly concealed disdain tinged her voice. “And then that man trying to tell me, when I went over to borrow a cup of sugar—” “You were out of sugar,” the sergeant murmured politely, and carefully printed the word SUGAR on his pad. He hated busybodies of all types, but particularly those like the woman facing him, and not merely because they caused the police a great deal of work that almost inevitably was pointless. He wondered how life must have been in those delightful days before neighbors-within-earshot. Beautiful, without a doubt. Mrs. Williams’s little chin hardened. Her eyes defied him to attempt avoiding the responsibilities of his office with such flimsy tactics. Her well-tended hands clasped themselves more tightly about her purse, as if it might not be safe in this world of predators, even here in the local police station.

Moonlight Gardener 7 “That man was trying to tell me,” she went on inexorably, a juggernaut not to be stopped, “that she was out shopping. Before eight in the morning, when the stores in town don’t open until nine!” The sergeant made a series of little 9’s to border the mutilated DISAPPEARED and the intact SUGAR. “And she wasn’t home all day,” Mrs. Williams declared flatly, “because I was watching. And then, this morning, I went over again, because I was worried about her, and he comes up with an entirely new story this time, about how she suddenly decided late last night to visit her sister. Which is a bit strange, since she doesn’t have a sister and I know that for a gospel fact!” The sergeant carefully printed NO SISTER on the paper before him, boxed the words neatly with his pencil, and began shading the enclosed parallelogram. He kept his eyes from the rather pretty face of the woman across from him. At the moment, she wasn’t all that pretty. “And how could she possibly have gone away in the middle of the night the way he said—without my hearing, I mean?” Mrs. Williams demanded. “My house is the only one nearby and I’m sure, if Mr. Jenkins had come for her in his taxi—or even if he drove her to either the train or the bus station—I would have heard.” “I’m sure,” the sergeant said, and added under his breath, “at any hour, day or night,” and he made a series of tiny loops to border the shaded box on his pad. They intertwined with the curved 9’s very nicely. Her blue eyes studied the expressionless face across from her and then dropped to the artistic caligraphy on the pad. Her jaw tightened dangerously, but she kept her voice under control as she brought up her heaviest artillery. “And then last night,” she said, her tone almost vicious, “after two in the morning, he digs up one of the small peach trees in the garden, and then, fifteen minutes later—or maybe a half-hour, no more—I can hear him out there replanting it. And her gone—disappeared— more than twenty-four hours! Now,” she said, her tone, her angle of incidence, her entire bearing daring him to downgrade her testimony, “what is your smart-aleck answer to that, young man?

Moonlight Gardener 8 Does it make sense for a man to dig up a tree in the middle of the night, and then replant it a half-hour later? Does it? Well?” The sergeant laid aside the pencil with a certain sense of reluctance and for the first time really studied the woman facing him. The spiteful expression spoiled what he knew might have been beauty under different circumstances; the faint sneer disgusted him. But he couldn’t deny the substance of her arguments. “No,” he admitted in his drawl. “No, it doesn’t.” “Well! I’m glad you finally realize it, young man. And the money was all hers, too,” Mrs. Williams added, almost as an afterthought. She was quite aware that the statement was anti-climactic, but she definitely wanted it included in the record of evidence. “Money?” “In the safe-deposit box with her jewels. The money that bought the house, even though everything is in both their names. You wait and see,” she added, leaning forward again. “He’ll be having it up for sale within a week. He never did a day’s work since they married— if he ever did one before, which I seriously doubt!” There were several moments’ silence. The sergeant made the first move, bringing his considerable bulk to his feet, indicating the interview was over. He waited as she came to her five-feet-twoinches of height, looking up at him defiantly. “I’ll take the matter up with the sheriff, ma’am,” he said. “I should certainly hope so, young man,” she retorted coldly, studying him once again with eyes that were quite unimpressed. Then she marched from the station house, the fur piece about her neck seeming to hurry to catch up with her. “I suppose we’ll have to check it out,” the sheriff said wearily. “I don’t know too many people in this town—most of my time is spent over in Bellerville at the county seat—but I do happen to know Charley Crompton. The idea of him doing away with that battle-axe he married is simply ridiculous. If he has a temper, I’ve never seen it. He’s a mouse. If it was the other way around, I might believe it. But Charley! Impossible. At any rate, it’s just a rumor from that nosy woman at this stage.”

Moonlight Gardener He glanced up at the husky young sergeant. “I don’t suppose you’ve had time to do anything about it yet?”

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“Well,” the sergeant said, considering, “old Sol Jenkins—he’s our taxi here—he didn’t pick her up, last night or any other time. He laughed and said he didn’t believe she ever took a taxi in her life. They cost money. And if Charley drove her, or if she walked across the fields to the station, nobody caught either the eight o’clock or the midnight train, and that’s the last one. And the ticket men at both the train and the bus station don’t remember her on any train or bus in the last two days, afternoon or night.” “What about this Mrs. Williams’s husband?” the sheriff asked. “Mr. Williams? Does he confirm or deny it?” “There is no Mr. Williams,” the sergeant said. His tone commended the shade of Mr. Williams for his wisdom in being the nonexistent spouse of the meddling Mrs. Williams. “She’s been a widow over four years.” He shook his head. “She’s only forty, but I think she’s been forty all her life. Doesn’t have anything to do all day except sit on the telephone or write letters to the editor of the Bugle. She’s a feminist. I gather she even had Mrs. Crompton all worked up on the stuff.” The sheriff smiled. “But not your wife?” he said. “Not yet, at any rate,” the sergeant said, and grinned back. The sheriff’s smile faded. “Any other neighbors?” “About a half-mile away, the nearest. Those two houses stand all alone at the end of the road. Around a curve from the others, as a matter of fact. They’re pretty isolated.” “I see.” The sheriff drummed his fingers and then looked up. “What about that statement regarding money?” “Well,” the sergeant said slowly, frowning, “the money was Mrs. Crompton’s—is hers, I mean. Everybody in town knew that, but if every man who marries a dollar or two killed his wife for it, we’d be in real trouble. And as far as Charley Crompton telling that busybody neighbor of his that his wife was out shopping, or visiting a sister that doesn’t exist, I don’t see where he had a duty to tell her anything. If it had been me, I’d have told her my wife was off to Timbuktu, and let her make something of it.”

Moonlight Gardener 10 “That’s just what she’s been doing,” the sheriff pointed out. “Still, a man replanting a tree in the middle of the night—well, it seems rather—” “I know,” the sergeant said unhappily, and sighed. “We’ll have to look into it a lot deeper, I know.” The man who opened the door of the large old-fashioned house was a nondescript person with thin brown hair pasted against his head and large brown eyes swimming behind thick lenses. He was dressed in slacks and a sweater, neither impressive, and carried a hatchet in a hand one finger of which was heavily bandaged. A honing stone had been tucked under his arm to allow him a free hand with the latch. He took the honing stone from the pit of his arm and allowed the two implements to dangle; they seemed to weigh down his thin arms. “Hello, Sergeant. What can I do for you?” “Hello Charley. Actually, it was your wife I’d hoped to see.” “Well, you can’t,” Crompton said apologetically. “She isn’t here. She’s gone away.” “Oh? To visit her sister?” The smaller man turned his head to stare reproachfully at the house across the road, and down a bit from his. His eyes came back to the patient face of the sergeant. “Her brother. She has no sister.” “And his name and address?” The sergeant produced a pad and pencil. “Brown. John Brown.” No muscle moved in Crompton’s thin face, nor did his hesitant voice reveal anything. He sounded as if he were repeating something by rote. “I don’t have his street address or telephone. Chicago is all I know.” “John Brown, Chicago,” the sergeant repeated genially, and wrote it down, not at all perturbed. He looked up from his pad. “I say, Charley, would you mind a lot if we went inside to talk. I mean, standing here in the doorway . . .” “Do you have a warrant to enter these premises?”

Moonlight Gardener 11 The young sergeant was surprised. He managed to turn his expression into one of slight hurt. “A warrant? To visit an old friend for a few moments? Although,” he added, considering it, “I suppose one could be arranged, but it seems a bit foolish.” Crompton’s thin lips compressed. He hesitated a moment and then, with a shrug, led the way inside, laying the hatchet and hone on a shelf in the entranceway and continuing into the living room. The sergeant picked the hatchet from its resting place and followed. He lowered his bulk into a chair and studied the instrument in his hand, touching the edge gingerly. “Quite sharp,” he observed. “I like my tools in order,” Crompton said evenly, and continued to watch the other man through his thick glasses. “Oh? It’s a shame it’s so stained, then. Other than the honed edge, of course.” The sergeant peered more closely. “These brown blotches, for example . . .” “They’re blood, if you want to know,” Crompton said abruptly. “I cut my finger yesterday while I was honing it.” “Fingers do bleed like the devil,” the sergeant admitted, and placed the hatchet on the floor beside his chair. He looked about the sunlit room and nodded. “A nice place you have here, Charley. I envy you. My wife was saying just the other day how small our house was getting, with two kids here and another on the way. But it’s so hard to find a house near enough to the station house not to spend a week’s pay on gas, or one that’s a decent size any more. A house for sale, that is.” A sudden thought struck him. “I don’t suppose— well, I don’t suppose you have any idea of selling, do you?” There were several moments of silence as Charley Crompton appeared to gauge the man seated across from him. A mantel clock above the fireplace filled the quiet with a loud and steady ticking. “I might,” Charley Crompton said at last. “You’re sure your wife wouldn’t object?” “No.” It was a flat statement, expressionless. Crompton seemed to feel that the discussion had taken enough of his time. He came to

Moonlight Gardener 12 his feet. “Well, sergeant, I’m rather occupied, and if that’s all the business you had in mind . . .” The sergeant rose dutifully and smiled. “If there’s any possibility of the house being up for sale in the near future,” he said, “I don’t imagine you’d mind greatly if I looked it over? We’re really interested, you know.” He turned and walked into the kitchen with Crompton on his heels. “Say! This is a nicesized kitchen. My wife puts a good deal of store by the kitchen. Me, I’m more fussy about the cellar and the yard, the places I spend most of my free time.” He opened a door, saw brooms, and closed it. He opened another door. “Stairs to the basement, eh? Do you mind?” He flicked a light switch without awaiting permission, and descended with the smaller man right behind him. He stood and shook his head forlornly. “What a damned shame! What happened to your nice concrete floor?” “Line under it burst,” Crompton said in a rather constricted voice. He cleared his throat. “Line from the sinks over to the septic tank. Had to dig it all up and replace an elbow.” “Tough luck,” the sergeant said sympathetically. “Guess contractors weren’t much better in those days than they are today. But, other than that, it’s a nice dry cellar. Gas heat, too, I see. Well, let’s take a look at the back yard, while I’m here. I’m sure you won’t mind.” They climbed the steps and walked through the kitchen to the back porch and the enclosed yard. One of the peach trees did, indeed, list slightly, and the fresh earth packed about its base was cleared of grass, reddish-brown in color, like a bad bruise. But the sergeant had been expecting that. What he had not been expecting was to see a second peach tree lying on its side beside a deep excavation, its root ball wrapped in canvas, or a third with a hole begun at its edge and a shovel thrust into the soil there. He glanced at his host. “Trouble with your peach trees?” “Tree roots need air,” Crompton said. His voice was unnatural, as if he, too, needed air. “My own idea, but it’s a valid one. I dig up trees and replant them quite frequently. I—” He paused a moment, eyeing the sergeant as if pleading for belief, and then continued, “It’s the truth! They really do, you know. Need fresh air, I mean. They’re living creatures; they can’t stand not having air. The

Moonlight Gardener 13 branches and the leaves get their share, but that’s not enough.” He shook his head, and behind his thick glasses, his eyes were impossible to interpret. “It’s the roots, you see. That’s the important part! They need air. It’s the truth.” He leaned back, balancing himself on his heels, a trifle breathless, staring at the excavated peach tree and the dark hole it had left behind in the earth. “A few more hours,” he said as if to himself, “and the roots will be fine. Ready to bury again.” The large young sergeant sighed and turned toward the gate leading to the street and his parked patrol car. “I’ll probably be back again,” he said conversationally. “I’m sure you won’t mind. I’m really quite interested in this house.” “Are you trying to tell me Charley Crompton is a nut?” the sheriff asked. “The last thing from a nut! He’s pulling our leg. A policeman shows up at his house and asks where his wife is, and he doesn’t even ask why! And that mound in the basement, and that hatchet bit! Cut himself honing the thing the day; before, and he’s still walking around with the hone the day after!” “It really was blood, I suppose? Not ketchup, or paint?” “It was blood, all right. The same type as his. We don’t know his wife’s type; she never gave anything away, not even blood.” The sergeant turned and paced the room, his large hands locked behind his back, his face grim. He paused and faced the sheriff. “And he did have a bad gash under that bandage. I think. I’d have preferred to believe him if he didn’t.” He shook his head, frowning. “More than ten days, and we’re where we were when we started. Even further behind, in fact. He’s having fun with us, I tell you!” The sheriff bit at an outcropping of fingernail. “You got your warrant, though, didn’t you? I spoke to Judge—” “Oh, we got the warrant, right enough,” the sergeant said darkly, and dropped into his chair, putting a knee against the edge of the desk. “And we dug up the cellar floor. And all we found was an elbow.” “An elbow?” The sheriff sat more erect.

Moonlight Gardener 14 “A plumber’s elbow,” the sergeant said grimly. “Exactly as he told us. New. We dug another three feet down, too, down to solid rock— just in case. She certainly isn’t buried there, I can tell you that.” “Could she have been buried there?” “That I don’t know,” the sergeant said bitterly. “There was more than enough room, but we didn’t find any signs. All I know is that she isn’t buried there now.” “Nor under the peach trees, either, I gather.” “Nor under anything in the whole damned back yard, and we gave his tree roots all the air they could handle! Ten days and nothing at all!” He shook his head broodingly and then looked up. “Oh, yes. He put the house up for sale this morning. I spoke to Jimmy Glass at the bank; Crompton and his wife exchanged powers of attorney the day they got married, so that’s that.” The sheriff frowned. “So what’s his explanation as to his wife’s disappearance?” “He finally broke down and confessed,” the sergeant said bitterly. “According to Charley, they had this big quarrel he was ashamed to admit, and she just up and walked out on him —and of course his pride would never allow him to tell perfect strangers like us about it. They fought and she just upped and away, like that.” “And disappeared into thin air?” “His idea, or what he says is his idea—is that she probably got to the highway and some kindly soul in a car or a truck picked her up and gave her a lift. That was his second idea. His first was that she caught a Greyhound bus, until I told him we’d checked all the buses. He says he has no idea where she’d head for, but he doesn’t expect her back because she’s stubborn. He says maybe she went to her brother’s, but he honestly doesn’t know the address. Just John Brown, in Chicago.” He snorted. “And all we got from the cops there, when we asked, were a couple of wisecracks. For which I don’t blame them.” The sheriff drummed his fingers. “So what’s your idea?” “My idea,” the sergeant began slowly, and then stopped as the telephone at his elbow rang. He picked it up. “Hello?” He cupped the receiver and shook his head dolefully at the sheriff. “Our man

Moonlight Gardener 15 on the scene.” He uncupped the receiver. “No, Mrs. Williams. No, Mrs. Williams. Yes, Mrs. Williams. Yes, we are, Mrs. Williams. As much as we can, ma’am. Yes, Mrs. Williams. Yes, we will, Mrs. Williams.” He put the receiver back in its cradle and sighed. “Mrs. Williams,” he said, and raised his eyes to the ceiling. “What a woman! She called the other day, all excited. It seems Charley Crompton thought she wasn’t home, because he came over and rang her bell and tried to look in the windows. She kept out of sight and then he went back to his house and came out with something bulky and big and put it in the trunk of his car and drove off, and she called us at once. And when we got there, Charley was back, and he had mud all over his tires, red clay like we have down at Wiley Creek, and we searched his trunk, but we never came up with a thing.” “So what’s your idea?” “My idea,” the sergeant said, staring at the girly calendar on the wall without seeing it, “is that Charley Crompton has gotten away with murder. My idea is that his wife is buried somewhere in the woods and that, if we ever find her, it will be sheer luck. And that without her body we’re in trouble. We don’t have a case and we don’t have a chance of holding him. My idea is that he went through that rigamarole of digging up trees and ruining a perfect concrete floor because he wanted to rub our noses in a perfect crime.” “Or because it gave him a chance to misdirect your attention while he had her body stored away somewhere else.” The sheriff shook his head. “I still can’t believe a mouse like Charley Crompton would have the nerve, though, to do a thing like that.” “Believe it,” the sergeant said shortly. “So what do we do?” The young sergeant swiveled his chair, staring through the window at the deserted square before the old courthouse. “We wait,” he said heavily. “We wait until some Boy Scouts on a hike, or some gang out on a picnic, or some kids necking, or some curious dog, makes what the newspapers call ‘a gruesome discovery.’ Because one thing is certain: whether she was buried in that house or in that yard at one time or another, she isn’t buried there now. That’s about the only thing that is certain.”

Moonlight Gardener 16 The sheriff sighed and swung around and back in his swivel chair. The mean, petulant, whining voice carried through the still night, threading its way from the garage through the back yard to the house, out-cricketing the crickets. There was an air of continuity about it, as if it had been going on for some time and would continue to go on indefinitely, or until a stop were put to it. “. . . certainly pure nonsense to pick me up in Joliet three stations down the line when the train stops here just as well, same as it was silly to put me on the train there, as if gasoline grew on trees, but of course that wouldn’t bother you none—none of it comes out of your pockets and why you insisted on my visiting your mother in the first place heaven only knows, there isn’t a thing wrong with her except she’s spoiled the way old women are spoiled and she dotes on her darling Charley—darling Charley this darling Charley that—and how her darling Charley could have had any girl he ever wanted, which simply goes to show she doesn’t know her darling Charley as well as I do and three weeks with her in that horrible house was no pleasure, locked in that mausoleum with no newspapers, no radio, no television, I don’t know how she stands it but you never care what I go through just as long as you get your way—well, that was the last time and if I find you’ve been up to your usual tricks with girls while I was gone, you’ll regret it and you’ll regret it where it hurts the most, in the pocketbook.” The gate from the garage to the back yard was opened and closed again. “. . . and for heaven’s sake what on earth has happened to that peach tree excavated out of the ground and that lantern alongside? I hope you realize that Chaber’s Hardware doesn’t give kerosene free and if you want to transplant a tree, the least you can do is do it during the daylight though why you should want to do it at all I can’t imagine, the peach trees have been fine ever since I remember—in any event, I want it replanted immediately tomorrow, do you hear? I don’t want it lying around and I don’t want all that dirt to be tracked into my clean house—” The kitchen door was swung back; the voice continued, an acid eating through Charley’s eardrums.

Moonlight Gardener 17 “. . . and leaving the lamp on in the house while you were coming to pick me up all the way to Joliet electricity costs money but you don’t care—why should you, you don’t pay the bills, and leaving that ugly hatchet on the kitchen counter, I’ve told you a thousand times the place for your dirty tools is in the cellar—well, at least I see you had the decency to set out two cups of coffee, I only hope you didn’t use the electric percolator and leave it on while you were out, electricity isn’t free, but you wouldn’t think of that, and—” A sudden pause, and then—“Charles! These cups are dirty— they’ve been used. If you’ve been entertaining people in this house while I’ve been away, that Mrs. Williams from across the street, don’t think I’m blind, I see the way you two look at each other. Charles, wait, wait! Charles, who’s that in the shadow there? Charles, do you hear me? Charles . . .” “Hello, dear,” said Mrs. Williams quietly, and reached for the kitchen counter and the hatchet there. “Welcome home.”

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About the Author Robert Fish is the Edgar-award winning author of over 30 novels and countless short stories. Fish was born in Ohio and 1912 and studied mechanical engineering at Case University. While working as an engineer in Brazil, Fish wrote his first short story, which was published in Ellery Queen Mystery Magazine. His experiences in Brazil also provided some of the key details for his first novel, The Fugitive. Unrelated to the popular television show and movie of that name, The Fugitive features a concentration camp survivor who travels to Brazil incognito in the early 1960's to infiltrate a burgeoning Nazi-revivalist movement. The novel won Mr. Fish an Edgar for Best First Mystery. Fish wrote many more novels centering on Interpol detective Jose daSilva, who first appears in The Fugitive. They include: Isle of the Snakes (1963), Brazilian Sleigh Ride (1965) and The Xavier Affair (1969). Fish's novels often feature recurrent characters. Lieutenant Clancy, who first appears in 1963's Mute Witness reappears in The Quarry (1964) and Police Blotter (1965). Mute Witness, which was later reprinted as Bullitt, was turned into a movie starring Steve McQueen as Lieutenant Clancy. Robert Fish died in 1981 in Connecticut.

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About this Title RosettaBooks is the leading publisher dedicated exclusively to electronic editions of great works of fiction and non-fiction that reflect our world. RosettaBooks strives to improve the quality of its electronic books. We welcome your comments and suggestions. Please write to [email protected] We hope you enjoyed Moonlight Gardener. If you are interested in learning more about the book and Robert L. Fish, we suggest you visit the RosettaBooks Connection at:

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